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Corps of Ballet
1983
Albacete
Elementary level in Classical and Spanish Dance at the Liceo Arturo Moya (1992-1995). Conservatorio Profesional de Danza in Albacete (1995-1996). Certificate in Spanish Dance from the Conservatorio Profesional de Danza José Espadero, Alicante (1996- 2000). Real Conservatorio Profesional de Danza Mariemma, Madrid (2000-2002).
In September 2012 she joined the corps de ballet under the directorship of Antonio Najarro.
Ballet de Alicante. Director, José Espadero. She trained as dancer and soloist (1997-2000).
Workshops at the Real Conservatorio Profesional de Danza Mariemma. Several performances of El Sombrero de tres picos dancing the lead, the miller’s wife, choreographed by José Antonio (2001).
Aída Gómez Dance Company. Salomé choreographed by José Antonio and Suite Española choreographed by Aída Gómez (2002-2003).
Carlos Saura’s film Salomé (2002) 2003 Goya Award for best original song.
Compañía Danzadas, Reflexiones de Mei choreographed by Ester Carrasco (2002).
Compañía Dancem.
Reflexiones de Mei with choreography by Ester Carrasco, Serenas Carmen Ángulo, Sentido único Ester Carrasco, A veces sueño Antonio Pérez, Pura Ester Carrasco and Pilar Arteseros (2003-2007).
El Corral de la Pacheca Tablao Flamenco, Madrid (2003).
Teatro Häagen Dazs Calderón in Madrid. Souleria with Pitingo and Juan Carmona, choreography by Rocío Molina (2007).
Teatro de la Zarzuela. Goyescas and La Rosa del Azafrán choreography by Goyo Montero (2003); La Chulapona by Goyo Montero (2004) and El Niño Judío choreography by Goyo Montero (2010-2011).
Cia. Siempre en compañía Gemma Morado: Bailas o te Escondes, San Juan de Luz and Tras la Cortina Danza en la Villa. Teatro Fernán Gómez (2010).
Cia. Nuevo Ballet Español, Rojas y Rodríguez: she was a dancer and soloist in this company for years. Flamenco Directo, El Alma, Tierra, Sangre Flamenca, Baile de Máscaras (2006-2009). Noteworthy choreography Hurí, choreographed for Lola Greco.
Highlights at the Ballet Nacional de España
From her first season at the Ballet Nacional de España she has performed soloist roles:
Ravel’s Bolero choreographed by Maestro Granero (2013). Sorolla (2013). Alento, Zagüán (2015), Suite Sevilla, Homenaje a Antonio Ruíz Sole (2016), extract of Concierto de Aranjuez, Electra, Eterna Iberia, Capricho Español, among other choreographies.
As first artist: Sorolla (2013) Choreography of El pescado by Arantxa Carmona and pas de deux with Francisco Velasco and Eduardo Martínez.
St. Petersburg Dance Open Gala in 2020
Capricho Español choreographed by Miguel Ángel Corbacho.
She took part in the 1st “Los Bailarines del Ballet Nacional Crean” [Ballet Nacional de España’s dancers create scheme], with her choreography Entre Rosas y Espinas.
And in the choreography by Eduardo Martínez Camino de vuelta
She took part in the 2nd “Los Bailarines del Ballet Nacional Crean” in the choreography La Toñi, Morente and La Malena by Eduardo Martínez and in Ángel Manarre’s choreography Danza Gitana.
Festival de Teatro de la Sierra Norte in Madrid. Entre Rosas y Espinas by Pilar Arteseros (2007).
She received a tribute from the Asociación de Profesionales de la Danza de Castilla la Mancha, for her career (2015).
Special appearance at the Choreography Workshop of Conservatorio Profesional de Danza José Antonio Ruiz in Albacete (2012).
She gave a masterclass at the Conservatorio Profesional de Danza José Antonio Ruiz in Albacete (2015).
Masterclass at the Conservatorio Superior de Danza in Alicante (2016).
She started her dance studies when she was 4 years old at the Escuela de Danza Charo de Lara. She studied with José Espadero.
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