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El amor brujo
Madrid
Songs, spells, dances, love… Rubén Olmo proposes a more personal and contemporary vision on the renowned work by Falla with this new ballet. Halfway between monodrama, ballet and concert suite, El amor brujo is one of the most representative compositions of the Spanish orchestral repertory and its Danza ritual del fuego, its most popular piece. Rewritten many times from 1915 to 1925 in different formats, this work is always open to creation, reinvention and collaboration with flamenco-rooted artists, as well.
To Rubén Olmo, “this new ballet is a metaphor about love”. He talks about the freedom to love and the different ways it takes through the characters of El amor brujo. In his opinion: “Love can not be controlled. We have to leave love free, let it flow. We must feel its freedom, as everything stays where it´s meant to be: in the free and true love”.
Ballet Nacional de España
Rubén Olmo, director
Orquesta Nacional de España
Josep Gil, director
María Toledo, cantaora
Ana Hernández Sanchiz, narradora
El Amor brujo
Coreografía: Rubén Olmo
Música: Manuel de Falla
Libreto: María de la O Lejárraga
Iluminación: Juan Gómez Cornejo
Vestuario
Bailarines: vestuario de El loco, diseño de vestuario: Jesús Ruiz, realización de vestuario: Ana Lacoma, Josep Ahumada, González, Maty y Adame.
Narradora: vestuario de La Bella Otero, diseño: Yaiza Pinillos, realización de vestuario: Cornejo.
Cantaora: vestuario El corazón de piedra verde, diseño de vestuario Yvonne Blake
Calzado: Gallardo
Elenco
Hechicera: Inmaculada Salomón
Candelas: Débora Martinez
Lucía: Irene Tena
Espectro: Eduardo Martínez
Carmelo: José Manuel Benítez
Amante: Albert Hernández
Madrid Auditorio Nacional. Sala Sinfónica.